Publisher: Bold Strokes Books
Jan
Roberts and Maddy Harrington have something in common. They’re both runaways. The difference is that Jan escaped years ago from
her father’s survival camp in Idaho so that she could have a more normal
life. Now she’s a private investigator
in Chicago who is hired to find a naïve, wealthy girl who ran away from parents
and a life she hated to create what she thought was going to be a utopia. Just as Jan begins the case, the company she
works for is sold to a British security firm and she gets a new boss. Catherine Engstrom is a former British government
agent with some secrets of her own and there is a powerful attraction between
them.
Jan
has to deal with two dilemmas. She’s not
used to trusting other people and she doesn’t want to trust Catherine, but she
can’t help herself, even when she finds out that Catherine is forbidden
fruit. At the same time, the hunt for
Maddy is taking the women into Idaho among the militia groups and survivalists
that Jan wants desperately to avoid.
Both situations pose great danger for Jan.
Runaway starts as a very strong book, then dies
at the end. The prologue has a real hook
to draw the reader into the story as Jan struggles to escape from her father’s
control. That edge continues into the
rest of the book as Laughlin alternates between scenes of Jan and Catherine
looking for Maddy and those of what Maddy is experiencing. It becomes clear quickly that Maddy has
involved herself in something entirely different from what she was expecting
and the reader is allowed to feel her disillusionment as it mounts. Likewise, Jan’s confusion about her feelings
for Catherine and her concerns about possibly confronting her father again come
through very strongly and add tension to what is going on. The fact that there are some passionate scenes
between Jan and Catherine doesn’t hurt the book.
In
the last forty pages though, the book goes flat. It’s like a balloon that someone has suddenly
let the air out of. The tension is
mounting and things are headed for a climax and then everything becomes totally
unbelievable and even trite. Everything
suddenly ends, everyone goes home and that’s it. Anne Laughlin is a better writer than
this. The reader might almost think that
she was running out of time for a deadline, so decided just to cut the book
off. It’s unfortunate because, up to
that point, she had an interesting book.
Runaway is fine for entertaining reading……except
for the end. It isn’t a waste of the
reader’s time, but once you see what the book could have been, the conclusion
is that much more disappointing. Read
this one with caution.
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