Publisher: Bold Strokes Books
The
problem with a novel based on history is that the reader probably already knows
what is going to unfold in the events.
The author however should not telegraph her moves ahead of time. One of the tricks of a historic novel is
keeping the reader believing that something different is going to occur from
what she expects even though she knows it can’t. Shelley Thrasher tells a typical romance, but
she couldn’t disguise the history and that makes the story predictable.
Jacqueline
“Jaq” Bergeron is one of those Americans who volunteered to help in World War I
before the US actually entered the war. It
was an exciting time for women as they entered a period of greater personal
freedom and hovered on the rim of gaining full political rights in the US, so
Jaq seeks adventure by leaving her home in New Orleans to serve as an ambulance
driver in France. After seeing more than
she needs to and a disappointing love affair, she returns home as the wife of a
war hero she doesn’t love. He agrees to
give her a divorce if she will go to his home in East Texas and help with his
family. While there Jaq meets Molly, who
is trapped in a friendly but passionless marriage. Molly escapes from her overbearing
mother-in-law and drab surroundings by caring for her son and immersing herself
in music. Jaq opens a window to a world
that Molly never imagined could. A
killer brought home from the war has the power to reorient everyone’s reality.
The Storm is a routine
romance. Women meet, encounter an
obstacle and have to decide a way around it.
What could have made it different is the time period in which it is
set. The book doesn’t have any energy
though. The story drags from one scene
to another, following the formula and practically ignoring the energy of the
time. Women are on the move. They are claiming a new existence for
themselves. Little of that is in
here. There is one episode where Molly
decides to register to vote, but that interest level isn’t sustained through
the book. The rest of the book is
uneven. The characters don’t shine or
stand out.
The
situations don’t ring true either. Molly
fears the disapproval of her mother-in-law, but thinks nothing of sneaking off
for hours with Jaq to do something else.
They don’t want anyone to know what is going on between them, but their
behavior indicates that something is very much out of the ordinary. Because Thrasher switches from the mind of
one character to another, including Molly’s mother-in-law, it’s sometimes easy
to lose track of who is “thinking.” That
means the reader has to backtrack and pick up the threads again.
The
most disappointing part of the book is the way it handles the Spanish influenza
epidemic that hit the US during World War I.
That was one of the most dramatic episode in recent US history and a
societal change agent. This could have
been used to give the book a real punch, but it wasn’t. Instead, the flu becomes a simple means to an
end.
Those
looking for a book to entertain them will find The Storm meets that requirement.
If you like to learn something about a period when you read, you’ll find
this book falls far short of what it could have been.
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